ALBUM OF THE DAY

Artificial Go, “Musical Chairs”

By Erick Bradshaw

· May 16, 2025

Artificial Go’s 2024 debut, Hopscotch Fever, was a heartwarming experience. At first glance, the Cincinnati-based trio may seem like a whimsical egg punk unit, but songs like “Pay Phone,” “Aphrodisiac,” and “Walk Like a Dog” venture deeper into a realm of creativity and joy. A closer listen reveals that Artificial Go aligns beautifully with the essence of European art song found in post-punk groups like Aksak Maboul, LiliPUT, and Art Bears. With their latest release, Musical Chairs, the band embraces this journey, sounding both sophisticated and free-spirited, enjoying every moment along the way. The trio of Angie Willcut, Cole Gilfilen, and Micah Wu masterfully trade instruments, creating a collective sound that flows seamlessly, reflecting their close bond. Some parts of Musical Chairs were recorded in the warm atmosphere of their shared home, contributing to the intimate and textured recording that feels as inviting as soft velvet and lace within beautifully crafted rock melodies.

Musical Chairs opens joyfully with the confident and charming “Lasso.” One can’t help but feel uplifted by the song’s exuberance, even as it hints at a touch of vulnerability. Willcut’s heartfelt invitation—”Lasso my heart tonight/ I won’t lose sight/ Come and catch me/ Let’s play hide and seek”—invites an engaging dance of emotions. The group’s chemistry perfectly enhances even the soft, jangly guitars, infusing them with a sense of urgency. A notable evolution in Artificial Go’s sound is the newfound prominence of the bass guitar, which anchors and elevates the songs on Musical Chairs. “Yaya” draws inspiration from Kleenex’s earlier work, with Willcut shining through a delightful array of chirps and exclamations. Her voice has the power to rise above any noise, evoking feelings of clarity and freedom. “The World Is My Runway” playfully explores the journey of self-expression, wrapped in a cozy, inviting rhythm that feels comforting.

Tracks like “Hallelujah” and “Tight Rope Walker” immerse the listener in lush acoustic guitars and gentle reverbs, while “Red Convertible” features joyful auxiliary percussion, adding a playful element of sound. The closing piece, “Sky Burial,” beautifully intertwines the essence of New Age Steppers and Stereolab’s spirit, as Artificial Go delves into an expansive groove that dances on the air, inviting listeners to dream. With a sense of anticipation, we look forward to witnessing where their melody-filled journey takes them next.

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