ALBUM OF THE DAY

Moskito, “Idolar”

By

Joseph Francis

· May 27, 2025

Pantsula dancing and kwaito coexist beautifully. Emerging from the heart of Johannesburg’s townships, both have been sources of joy during challenging times. As kwaito graced the global stage at the turn of the millennium, notable acts like TKZee showcased pantsula dancers in vibrant music videos, such as the uplifting “Dlala Mapantsula.”

Two dancers from Tembisa, Mahlubi “Shadow” Radebe and Zwelakhe “Malemon” Mtshali, decided to transition from the energetic movements of pantsula to the soothing rhythms of kwaito. To achieve their vision, they sought to evolve beyond their humble cassette player and embraced the creativity of collaborating with a producer. In 2001, they joined forces with Patrick Lwane, Menzi Dlodlo, Tshepo Naapo, and the talented Percy Mudai, along with Thami Mdluli, to form Moskito.

Mdluli, known as Professor Rhythm, brings a wealth of experience from his time as an in-house producer for various labels and as a pop star in the ‘80s. His background in bubblegum, disco, and boogie shines through in the work that has been lovingly reissued by Awesome Tapes from Africa. Moskito’s debut album, Idolar, is a heartfelt celebration of their rich, spirited vocals adorned with brilliant arrangements.

The album’s instrumental palette is light and whimsical. You can hear marimbas dancing over gentle hi-hats in “Sdudla,” while bright, swirling synths add a dreamy essence to “Baby.” Although hip-hop and house are foundational to kwaito, Mdluli draws inspiration from diverse musical styles. Reggae influences are present in “Woza,” with its vibrant organ shimmers, while “Mashonisa” engages with captivating guitar melodies reminiscent of Stevie Wonder’s work. The compositions are so rich that Idolar could stand alone as an instrumental experience, with the soaring strings on “Thula Msindo” offering an uplifting essence that complements the vocals.

Zwelakhe Mtshali’s distinctive voice sets Moskito apart from their more polished contemporaries. His passionate delivery ignites each track, resonating like a vibrant spark. His energy shines throughout, especially in the infectious refrain of “Kwenzenjani” and the heartfelt sighs concluded with each verse in “Why Wena.” His joyful spirit is palpable, as if each note carries his smile into the world.

Moskito embodies a refreshing vitality. Under Mdluli’s guidance, they preserved the raw essence of their earlier days, performing joyfully in the streets of Tembisa. While Idolar may not reach the extensive sales of other kwaito acts, it grants us a beautiful opportunity to appreciate the expressive artistry of Moskito. Their music deserves a cherished spot among the celebrated kwaito artists of their time.

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